PDF Download , by William Goldman
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, by William Goldman
PDF Download , by William Goldman
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Product details
File Size: 2370 KB
Print Length: 514 pages
Publisher: Vintage; Reprint edition (December 18, 2013)
Publication Date: December 18, 2013
Sold by: Random House LLC
Language: English
ASIN: B00GVZMYVG
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Amazon Best Sellers Rank:
#202,796 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
I loved this book! I had read his book, ADVENTURES IN THE SCREEN TRADE some years back. I didn't even know this book existed until I read about it in Goldman's obituary. (RIP) There is something interesting on almost every page. Normally I like to be a matchmaker and pass on books to someone else, but this one is a keeper to read again. I would even say it made me a more knowledgeable film viewer, and not only for the films he discusses.
If you are interested in writing, you must read this book. I can't begin to give a summary because the book is more like a stream-of-thought thesis than a structured narrative. It includes fascinating anecdotes, tangible writing tips, dissection of existing works, and insight from other successful writers. That Goldman pulls this off (this unstructured narrative full of screenwriting advice) is nothing short of amazing. And he doesn't just pull it off, he makes it shine.If it sounds like I am a William Goldman fanboy, it's probably because I am. A brand new one, mind you - this is the first of his writing I have ever read. But he is unique and interesting and, in my opinion, genius. Read this book. You will not be disappointed!(Interesting aside: I started reading this book because someone somewhere mentioned that Mr. Goldman claims to have written the Good Will Hunting script in this book. In fact, he says just the opposite, but because he uses sarcasm, it seems that some people have misinterpreted his comments.)
Not only a terrific instructional book for anyone aspiring to (or attempting to return to a place where he can) write, it's a great read and a peek into the mind and often tortured soul of an icon of the screenwriting trade. The word generous is so over used by actors but it fits here. Goldman lays bare his soul and allows the reader to read blisteringly honest critiques by major sreenwriters of a draft of one of his unpublished screenplays as we get an unfiltered view of these critically and commercially successful scribes. So revealing of each of them and of our hero, as well and shows that having a thick skin can be as important as being a good writer. The best thing about this book is that it makes me want to finish some things I've started and gives me more tools to do so effectively. I guess I buried the lede, but I couldn't put this book down and enjoyed every minute of it.
The first half of this invaluable testimony, by a Hollywood star witness, is brilliant, revealing and delightful, unveiling countless secrets and personal anecdotes. The second half goes off on an insider tangent the just doesn't apply. It often makes no sense.
I'm a huge fan of Goldman's books and most of his screenplays, and the original Adventures in the Screen Trade still stands as the definitive how-Hollywood-works primer. It's great to have him deconstructing the industry once again, praising some unlikely subjects--who would think the 67-year old author of Marathon Man would have picked the Farrelly brothers' There's Something About Mary as 1998's best film?--and attacking even more unlikely subjects--would you expect the screenwriter of A Bridge Too Far to loathe Saving Private Ryan? Goldman does, and how.) I have two key problems with Which Lie Did I Tell, however. One is, many Goldman fans will have seen a lot of this text before. Much of this material has appeared in Premiere Magazine over the years, as well as in collections of Goldman's screenplays. Long-time Goldman enthusiasts, then, might be a bit miffed about buying recycled material. My other misgiving is Goldman's tendency to rely too much on Butch Cassidy and the Sundance Kid when he's trying to get a point across. The original Adventures, remember, included the complete Butch screenplay and a lot of background material about the real-life duo and the making of the film. So it's disconcerting to see scene after scene from Butch used in the new book, along with many of the same anecdotes Goldman told us the first time around. On the other hand, if you're going to use a single film for a lot of your examples of screenwriting, you could do a lot worse than an Oscar-winning Western classic. So, if you read (and liked) Adventures in the Screen Trade and haven't read Goldman's movie pieces elsewhere, give this review an extra star and give Which Lie Did I Tell a try. If you know every line of Adventures and sought out everything Goldman has written since then, you might consider waiting for the paperback. (Hey, he's rich and his children are grown, no one's going to starve if you pass on the hardcover.)
I love William Goldman. First screenplay i ever read was Butch Cassidy and that was by mistake but i loved it. Great writer and a very good teacher as well. Thank you Bill for writing this. Even though you will never read this...
I loved Adventures in the Screen Trade, so I bought Which Lie did I tell? While not quite as good as the first book, it was still entertaining and informative. I loved reading his section on The Princess Bride, and I was glad to read that he actually liked that movie (since he tends not to like anything he's written).Unfortunately, since I read Adventures in the screen Trade so recently (and he wrote it 20 years ago), a lot of the information--especially when he would talk about Butch Cassidy and the Sundance Kid--seemed like he was repeating himself. It wasn't that bad, though. It was still fun to read it a second time around.As with Adventures..., I loved the section at the end of the book where he included a screenplay and had people analyze it. It's very interesting to see what works and what doesn't in other people's eyes. It helps to give a good idea to what to include in my own screenplays.Overall, it was a wonderful book--just not as good as the first one. C'est la vie.
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